This post could be construed as being shamelessly timed to swoop into the context of today's unveiling of not one but two dresses by Sarah Burton for Alexander McQueen designed for the newly wed HRH Duchess of Cambridge. Forgive the crassness.
These pictures taken at the Alexander McQueen A/W 11-12 show and at the showroom in Paris have been sitting on the 'TO GO UP' folder for a reason and today seemed to give a good enough excuse to bung em up if not as a hopeful plea that more DETAILED, and by that I mean inch-by-inch shots of the wedding and reception dress will be published somewhere to really showcase the amount of work that Burton, the team at McQueen and the Royal School of Needlework at Hampton Court have put in. Actually, weirdly the Official Royal Wedding website does a darn good job of wetting my appetite for the close-up details and processes of creating the dress with their intense descriptions. In pure sadact fashion, I've committed to memory the fun facts of the RSN sewers having to wash their hands every thirty minutes to ensure the dress stays clean and the four flowers that make up the symbolic nature of the lacework.
So I therefore follow up with my just-about adequate close-ups of the A/W 11-12 collection which is of course not at particularly linked to the big tamale wedding dress except there's a few 2-metre-plus trains in the latter half of the collection. The point of the super detailed close-ups, in addition to satisfying my own perverse curiosity when looking at Burton's relatively short body of solo namesake work for Alexander McQueen perhaps would serve to consecrate her own signature, one that is revealing itself as something more feminine and romantic than Lee's. Along with dramatic romanticism, micro deets shots would of course reveal the craftsmanship that Burton emphasises over and over again in her press statement about the wedding dress, something that was impressed upon me when I took a good chunk of time to look through the A/W 11-12 collection in the showroom. Even looking back at these admittedly shoddy shots taken on my little S95, I can't help but be floored by the sheer amount of everything - the flurry of tulle, the jagged pieced-together broken porcelain, the precision of the cut-out tweed contrasted with zip detailing, the concertina and pearl folds of organza, the bird-like embroidery where silver beads, pearls and silk are built up into a texture you're dying to touch. Let's face it, I just came out with the slightly nauseating phrase of 'flurry of tulle' - a superlative trigger went off somewhere in that showroom as it did today for many people...
My pleas for super-duper close-ups will most probably be answered soon enough but there's no harm in a cheeky request...

























